Scary Stories for a Good Cause: Gerry Griffiths on "The White Stuff"
Tell us a little about your story, “The White Stuff.”
The story is about four friends celebrating Christmas together in a remote home out in the desert. Not exactly the holiday theme you would expect being surrounded by sand and cactus. But that all changes when everyone awakes on Christmas morning to newly fallen snow. Could it be a miracle of nature? Or is it more menacing? I’d like to think this story has a little Twilight Zone vibe to it.
By L.S. Johnson (https://traversingz.com/)
Gerry Griffiths lives in San Jose, California with his family, their four rescue dogs, and a cat. He has over thirty published short stories in various anthologies and magazines, along with a collection entitled Creatures. He is also the author of Silurid, The Beasts of Stoneclad Mountain, Death Crawlers, Deep in the Jungle, The Next World, Battleground Earth, Down from Beast Mountain, Terror Mountain, Cryptid Zoo, and Cryptid Island (prequel to Cryptid Zoo).
Tell us a little about your story, “The White Stuff.”
The story is about four friends celebrating Christmas together in a remote home out in the desert. Not exactly the holiday theme you would expect being surrounded by sand and cactus. But that all changes when everyone awakes on Christmas morning to newly fallen snow. Could it be a miracle of nature? Or is it more menacing? I’d like to think this story has a little Twilight Zone vibe to it.
Much of what happens in your story is shaped by the characters’ isolation—they’re in a house that is, as one characters says, “in the middle of nowhere.” Was this based on personal experiences?
Well, I can think of a couple of incidences. One time when my brother and I were kids we went camping with our parents in the Santa Cruz Mountains and got lost when we wandered off into the woods. At the time we were pretty scared and were in tears—until we realized all we had to do was retrace our footsteps back to camp. I don’t think our parents even realized we were gone. While in the Navy, the submarine I served on nearly sank while undergoing a routine test dive. I guess the thought of being stranded in the forest or lying at the bottom of the ocean certainly traumatized me. Like floating helplessly in outer space without a tether … or facing true terror running for your life in the middle of the desert.
What is your relationship to California, and does California influence your work?
California has been my home for much of my life. I was only a year old when my parents left London and brought me across the Atlantic on the Queen Mary in 1950. We were constantly moving from state to state as my father worked for Trans World Airlines and was always accepting new job opportunities with the airline, but we always seemed destined to return to California. I can’t think of anywhere I would rather live than here and have many fond memories. I’m sure they’ve influenced my writing. Sunshine is great for the imagination.
As writers, we constantly use our imaginations, sometimes in terrifying ways. But can you imagine a hopeful future for California? What might that future look like?
Well, these are turbulent times for California. I think it’s important that we preserve and protect our wonderful state and share the core values as honest and compassionate citizens and not forget the historical legacies that made this state the fifth largest economy in the world. Everyone from all walks of life working together accomplished that. This is where we can step up and be proud of our Golden State. I think many of us have friends and relatives that lived in Paradise and the surrounding communities that suffered from the devastating Camp Fire. This charity anthology benefiting wildfire relief for the survivors is our way as Bay Area horror writers of doing our part to help with the effort.
Where can readers find more of your work?
I have an Author Central page on Amazon that lists my novels, the magazines I have contributed to, and a collection of short stories. Please feel free to visit and browse around.
https://www.amazon.com/Gerry-Griffiths/e/B003CGSL6E?ref=sr_ntt_srch_lnk_1&qid=1554922190&sr=1-1
NEXT POST ON MONDAY 6/3/19, SCARY STORIES FOR A GOOD CAUSE: Loren Rhoads ON “Still Life with Shattered Glass”
Stay in Touch
Upcoming Events
Many thanks to everyone who supported T4tCF in 2019. SEE YOU AGAIN IN 2020! -Tomes & Coffee Press
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.
Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.
Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Featured Posts
Tell us a little about your story, “Ada, Awake.”
In 18th-century France, a young widow travels to sell an artifact, only to find the purchaser has more sinister plans.
What particular affinity for the history of France do you have that brings the setting in “Ada, Awake” to life?
Many years ago I had an idea for a novel, and I wanted to set it in a time and place where I could talk about current issues important to me, but without being overt (and preferably pre-telegraph, for plot reasons). I settled on a slightly alternative Ancient Regime France as the primary setting …
Tell us a little about your story, “You’ll Never Be Lunch in this Town Again.”
Back in the day (‘the day’ being the late ‘80s) I read Book of the Dead, an anthology of zombie stories edited by John Skipp and Craig Spector. I was, and still am, a huge fan of zombie movies and was delighted to find that this book existed. I know it’s hard to imagine a time when there weren’t a lot of movies or books to choose from in that genre, but we lived in a time before the remake of Dawn of the Dead …
Tell us a little about your story, “The Relic.”
The Relic was originally written for an LGBTQ anthology of flash fiction. This was my first encounter with the concept of writing a story with as few words as possible. I quickly discovered that it’s not as easy as I originally thought it would be. Hopefully I pulled it off.
Tell us a little about your story, “My True Name.”
Two key elements helped in the creation of this story. The first was I had a passing thought about Steinbeck’s Of Mice and Men, wanting to write something that relates—two drifters roaming the countryside—though I kind of twisted that idea into this horrific vision. The second element deals with names …
Tell us a little about your story, “Folie à Deux.”
“Folie à Deux” grew out of the desire to tell a fractured story, built from a series of found documents, by unreliable narrators. I wanted to write something that built on Lovecraft and Machen and their cosmicism and supernaturalism …
Tell us a little about your story, “The Patron.”
I've always been fascinated by snow and how big of a factor it can play in stories. It can very much be your antagonist if the heroes of the story are caught unprepared. Such is the case in “The Patron” when a visiting family is caught in a blizzard …
Tell us a little about your story, “Vivified.”
“Vivified” is about second chances. I wanted to write a story about resurrection. Here is the blurb: When a young father doesn’t have access to his car, he decides to take a train ride. No biggie, he’s a successful businessman used to making hard decisions. But a deadly incident will force him to reexamine what’s truly important. Living his best life, and then … dead.
Tell us a little about your story, “The Twins.”
“The Twins” started out as a poem, which I never completed. After setting it aside for a while, I went back to it and found it might work better as a short story.
Tell us a little about your story, “Little Pink Flowers.”
This story originally appeared the 2014 World Horror Convention Souvenir Program. When I received the invite to contribute to the program, I was on vacation with family in Colorado. I had no idea what to write—but then, as I was snuggling down into my sleeping bag, images of these little, pink but deadly flowers sprouting out of cornstalks just popped into my head, along with the idea that they had arrived on a meteor …
Tell us a little about your story, “Mukden.”
“Mukden” is a historical retelling of the prelude to its namesake military engagement. The Battle of Mukden, which took place in early 1905, was one of the largest land battles in history prior to World War I. The tale follows the mystical journey of Japanese soldier Captain Tanaka Hideki, a member of an occult organization known only to Japan’s senior leadership as Unit 108. His mission is to work with local Chinese bandits to determine the size, location, and disposition of Imperial Russian forces operating along the Manchurian rail line, but along the way, he discovers something far more sinister …
Your story “Unheard Music in the Dank Underground,” is mostly set in an underground laboratory in San Francisco. Was this purely your invention, or was it based on a real location?
A little of both. The exterior is Fort Point, a fort at Golden Gate Park under the Golden Gate Bridge near Crissy Field. The twisted maze of tunnels and rooms below under the bridge itself are completely fictionalized. They are based on World War I and II bomb shelters and bunkers, and the story on the whole is an homage to Mary Shelley’s “Frankenstein.”
Tell us a little about your story, “Leaving the #9.”
The story follows Adelia, a working class cook who has worked long and hard for a better life and is finally able to take that next step. With her are her brother, Miguel, and a client turned best friend turned “the grandma I never had.” Her sense of reality is shaken when strange occurrences begin to disrupt her attempts to achieve her dream. The setting was inspired by the ongoing gentrification and displacement of the Mission, San Francisco’s historically Latinx neighborhood. A reader described it as “[a] wonderful ghost story …
Tell us a little about your story, “River Twice.”
A friend of mine once told me he would take a bullet in the knees for his daughters. Having observed him with his family for years, I truly believe he would have (though I never tested it). But one of the horrors of life is betrayal by people you should trust—friends, lovers, family—which is matched only by the horror they feel when you betray them. So I decided to write about that …
Tell us a little about your story, “John Wilson.”
John Wilson came about by accident. The un-named narrator was a character in a novella I was working on. She only had a couple of lines, but I figured I needed to know more about her, so I wrote a character background. When I was done, I realized that what I’d basically done was write a short story about her …
Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.