Guest Post | The ‘Death’s Garden Revisited’ Playlist by Loren Rhoads
When I put together the original Death’s Garden book in the early Nineties, I worried that its subject matter would be really dark. After all, I was asking people to write about their relationships with cemeteries. Instead, the book turned into a celebration of life, family, community, and so much more.
The first book came together almost by accident. When I decided to put together a sequel all these decades later, I was much more intentional about its contents. I was looking to underline my belief that every day aboveground is a good day. Cemeteries help to put so much in perspective.
One of the most fun things I’ve done to promote the second Death’s Garden book is to assemble a playlist. I asked each of the contributors for their “favorite cemetery song” and I left it up to them to decide what that meant. Not everyone participated. Some suggested more than one song.
The song I started with, “Ain’t No Grave” by Crooked Still, sets the pace for the playlist. It’s a propulsive pop country take on the old gospel song, with tight vocal harmonies and virtuosic banjo playing over standup bass. It wears its religious roots upfront, but I love the shade of meaning it gives to the song that follows: “Pet Sematary” by the Ramones, which was written for the soundtrack of the movie based on the Stephen King novel.
Photo provided by the author | Kickstarter campaign live until April 16, 2022!
The third song, “Bury Me Face Down” by grandson, was new to me, even though the single came out in 2016. It quickly became an earworm, as have a number of the songs on the list.
As a matter of fact, I was really proud of the spectrum of songs filling the list. They span from folk songs and murder ballads through country and gospel and from rock to Goth to Industrial to classics. There are a couple of instrumentals from movie soundtracks alongside “In Memory of Elizabeth Reed” by the Allman Brothers Band and “Dreams of Wounded Knee” by Native American recording artist Bill Miller.
Some songs, like “Pet Sematary,” were suggested by several people. Some songs, like “Long Black Veil,” were suggested by multiple artists, but I felt I could only choose one version. Even though I already had Johnny Cash on the playlist for “Ghost Riders in the Sky,” I felt like I had to go with his version instead of the cover by the Bastard Sons of Johnny Cash, which was also suggested. I personally like Hugh Laurie’s take on “St. James Infirmary,” but once someone chose Louis Armstrong’s classic, I was glad to include it.
When the contributors (including E. M. Markoff!) joined me for a party on Facebook last weekend, I suggested that everyone listen to the playlist as we conversed online. Even though we were scattered across the US and Canada, the comradery and common playlist brought us together. Songs about cemeteries can make you feel good.
See for yourself by checking out the playlist on Spotify: https://open.spotify.com/playlist/4S0255SPm7grf5NShTbLgT?si=a183ec1bca4749e4
You can preorder Death’s Garden Revisited on Kickstarter until April 16: https://www.kickstarter.com/projects/lorenrhoads/deaths-garden-revisited-relationships-with-cemeteries
About the Author:
Photo provided by the author
Loren Rhoads is the editor of Death’s Garden: Relationships with Cemeteries and Death’s Garden Revisited. She’s also the author of 199 Cemeteries to See Before You Die and Wish You Were Here: Adventures in Cemetery Travel.
Book Blurb:
Genealogists and geocachers, travelers and tour guides, anthropologists, historians, pagan priestesses, and ghost hunters all venture into cemeteries in Death’s Garden Revisited.
They discover that cemeteries don't only provide a rewarding end to a pilgrimage, they can be the perfect location for a first date or a wedding, the highlight of a family vacation, a cure for depression, and the best possible place to grasp history. Not to mention that cemetery-grown fruit is the sweetest.
Spanning the globe from Iceland to Argentina and from Portland to Prague, Death’s Garden Revisited explores the complex web of relationships between the living and those who have passed before.
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