This post is spoiler free. Here only for the pronunciation? I gotcha. Scroll down to Part 2 and Fortune be with you. But if you want to get a clear sense where my pronunciations come from and why I have some names pronounced two different ways, then read on …
Gracias (thank you) to everyone who made their voice heard on IG, FB, and via email about which cover to use for “Leaving the #9.” The vote counts for Versions B and C were very close. At SVCC 2019, a few of my Ellderet readers posed the idea of having both Version B and Version C available for purchase.🤔 Food for thought for future short story covers, for sure.
Come for the amazing audio dramatization of chapter 7 of The Deadbringer, “A Chance Encounter,” and stay for the delightfully dark music and the original Podcast drama, Darkvein Manor.
Deep breath. Relax. Remember that no one likes all caps. So, in lieu of all caps, just imagine me and The Assistant running up and down the hallway with glee.The Ellderet Series has made it to RedStarReviews top 10 fantasy list! Not going to lie, it was always a dream of mine to see TES on a top ten-fifty-hundred-thousand fantasy list, but that’s all it ever seemed to me it could be: a dream.
Ever since releasing The Deadbringer in 2016, I have been thinking about its sequel and what it means, both for me and for the world of the Ellderet. As that sequel, The Faceless God, took shape following the release of the prequel novella To Nurture & Kill in 2017, it grew and changed, and went places I hadn’t expected. While I originally expected to publish this year, after a lot of thought, I’ve decided to push the release of The Faceless God to 2020.
So, will the wait be worth it? Yes! The patience that you readers have been kind enough to show me hasn’t been wasted. I’ve been using this time to further explore the world of the Ellderet and to grow professionally as an author. The time not spent typing away at the keyboard has been used exploring the many characters, their voices, and the world they live in. And those voices — each of them has their own story to tell, even the stubborn ones . . .
Happy New Year 2019, everyone! “Que salga lo viejo y entra lo nuevo,” or “Out with old, in with the new.” I welcomed 2018 with those words, and with a pot of water tossed out the front door. I met many wonderful authors and artists in 2018 and hope to showcase their works in a future blog post dedicated to them. For now, here’s my #writerslife 2018 year in review told through pictures. If you want to get the full story behind the pictures, click on the image and hover over them. For mobile: tap the small white dot on the bottom right of your screen to enable the text.
Welcome back! Today, I want to share a podcast interview I did with the wonderful folks over at Unreliable Narrators, a few of whom I had the opportunity to meet at Fogcon 8. They asked some great questions that touched upon the premise behind The Ellderet Series, my literary influences, the pluses and minuses of being an indie author, the very important role my culture plays in my works, and if I have ever been stereotyped because I am a woman. Spoiler: yes.
At Worldcon 76, I was fortunate to be a speaker on a panel addressing imposter syndrome. The panel was excellently moderated and touched on a number of points that people with imposter syndrome can use to move forward. Some of the techniques discussed to help "make it to the end credits" included using writing as a cathartic release, viewing your insecurities as monsters that you can conquer, #buildaladder by adding rungs - no matter how small - to help you climb out of your darkness, learn to say "thank you" and to accept praise, or to reward yourself with something positive, like "cake".
The Mexicanx Initiative was a scholarship fund started by artist John Picacio to bring more Mexicanx representation in science fiction and fantasy to Worldcon 76. The scholarship was awarded to 50 people of Mexican ancestry and, let me tell you, those 50 people made a HUGE impact. The Mexicanx Initiative made Worldcon 76 a powerful experience for me because I got to see myself represented on those panels, in those stories, in the language, the idioms, the anger at the injustices of deportation, criminalization, forced separation and herding of children from their parents, and so much more.